Introduction: A Ticket to the Boneyard (Matthew Scudder #8) The streets of New York are never safe, but the release of James Leo Motley, a psychopath who went down swearing revenge on Matt Scudder on all who knew him, means death is out there looking for a victim. No-one is safe - friends, lovers or just those unfortunate enough to share the same name.View Details>
Introduction: A Stab in the Dark (Matthew Scudder #4) Louis Pinell, the recently apprehended "Icepick Prowler," freely admits to having slain seven young women nine years ago -- but be swears it was a copycat who killed Barbara Ettinger Matthew Scudder believes him. But the trail to Ettinger's true murderer is twisted, dark and dangerous...and even colder than the almost decade-old corpse the p.i. is determined to avenge.View Details>
Introduction: Time to Murder and Create (Matthew Scudder #2) Small-time stoolie, Jake "The Spinner" Jablon, made a lot of new enemies when he switched careers, from informer to blackmailer. And the more "clients, " he figured, the more money - and more people eager to see him dead. So no one is surprised when the pigeon is found floating in the East River with his skull bashed in. And what's worse, no one cares - except Matthew Scudder. The ex-cop-turned-private-eye is no conscientiouView Details>
Introduction: In the Midst of Death (Matthew Scudder #3) Bad cop Jerry Broadfield didn't make any friends on the force when he volunteered to squeal to an ambitious d.a. about police corruption. Now he'saccused of murdering a call girl. Matthew Scudder doesn't think Broadfield's a killer, but the cops aren't about to help the unlicensed p.i. prove it -- and they may do a lot worse than just get in his way.View Details>
Introduction: The Sins of the Fathers (Matthew Scudder #1) The hooker was young, pretty...and dead, butchered in a Greenwich village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again-and that's where Matthew Scudder comes in. But this assignment carries the unmistakable stench of sleaze and perversion, luring ex-cop-turned-investigator SView Details>
Introduction: In the era before he created moody private investigator Matthew Scudder, burglar Bernie Rhodenbarr, sleepless spy Evan Tanner, and the amiable hit man Keller&mdashand years before his first Edgar Award&mdasha young writer named Lawrence Block submitted a story titled "You Can't Lose" to Manhunt magazine. It was published, and the rest is history. One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by aView Details>
Introduction: Hit and Run (Keller #4) Keller's a hit man. For years now he's had places to go and people to kill. But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what? One more job. Paid in advance, so what's he going to do? Give the money back?In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And oneView Details>
Introduction: Hit Man (Keller #1) Keller is an assassin – he is paid by the job and works for a mysterious man who nominates hits and passes on commissions from elsewhere. Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves himView Details>
Introduction: Devil's Bargain (Red Letter Days #1) Jasmine "Jazz" Callender is on the downhill slide to ruin. Once a decorated homicide detective, she's lost it all: her former partner's been convicted of murder, she's been cashiered out, and she's drinking away what little self-respect she's got left. But Jazz has a talent for trouble, and somebody knows it. When a mysterious, sexy stranger comes looking for her with a fateful red envelope in his hand, she's about to make tView Details>
Introduction: Mixing poetry with drugs, sex, and murder would not be the first thing to come to mind if you were thinking about writing crime fiction. And unless you're Victor Gischler, the results of such an abominable coupling would likely be a bad as it sounds. But if Gischler isn't the most talented new crime writer to hit the pages in the last few years, he is certainly the most bizarre. Of his three novels - five stars everyone - "The Pistol Poets" is the most blackly humorous - think a moView Details>